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Secrets of Making a Love Scene in a Movie

I remember my first kiss. It happened three houses away from mine on a sunny afternoon in Logan, Utah. The target: Steven Leatherbee, a freckle faced red head with no intention of kissing me back at all, or so it seemed. He would tease me every time he visited his grandmother, and I welcomed the attention from this own brand lashes 3d mink eyelashes . I did not have my breasts, I did not have makeup, and I rode a bike that still had one bad training wheel wobbling on it.

own brand lashes 3d mink eyelashes
own brand lashes 3d mink eyelashes

Hrnnz When Steven came up and hit me and said “kissing tag, you’re it” I took off running. He knocked me down but I said, “you’re it now” and took off after him. Now because I have always had long legs, I had him on the ground quickly, he was screaming and yelling, and I puckered up, and planted a smooch right on his silver braced up mouth. It was awful. His breath smelled of sticks, stones, snails, stones and toads. Just like a little boy. I didn’t like it.

I still felt the accomplishment of getting my kiss, and as non-perfect as it was, it was beautiful. Why? Because it was innocent, and I didn’t have about 30 people watching me do it, asking me to repeat it, and try again. I’m an actress and I play many parts. And sometimes in those parts a character has a love scene to do. It’s part of acting. If I want to be an own brand lashes 3d mink eyelashes, I need to be the best at every part of my craft. Even mocking a love scene on film.

I thought about this first kiss as I was preparing for my first love-scene. Not a real one, but one for the movies. As an actress, I’ve done many love scenes, but every one of them is different, and every one of them makes me nervous, at first. I re-read the slug line, which is the directions for an actor or actress in the screenplay. It said something like “Her eyes meet his, they rip off their clothing, kissing and groping with all the passion of a…” blah blah blah.

I did not particularly care for the man cast opposite me in this film project, and I must say that I was not sure of how I could pull of the “look” of passion, love, erotic lust, and most of all, comfort. I felt anxiety and the pressure of the love scene to come made me feel nauseous. The fear inside me was never spoken aloud. It’s not professional to discuss the kiss as if it was something truly emotional that you were expected to do, but nauseated by.

The kiss, and the love scene are part of the story you are telling as an actress, it’s something your character would do in that moment. At some point you have to cut yourself free from what you think about others, and what others are “maybe” thinking of you, and move forward with your art form. Acting is one of the most amazing things to do in my opinion. It’s not something that’s easy, and it is something that includes your personal stamp pulled from within your talents.

So there I was on set, wearing a bathrobe and a small string to cover my “private” parts. Nothing felt covered at all. In fact, I felt more naked and panicked than I ever had in a real life situation. I had no wine, no great music to share with a date, no spark and connection. Standing on the opposite side of the set was HIM, the one I had to be madly and passionately in love with in just a few moments. He looked cheerful and his ego was blowing up as he took his robe off and flexed muscles. He dropped to the own brand lashes 3d mink eyelashes and did pushups like life depended on it. He wanted to show-off his pecks, and I wanted to throw up because of his ego.

The set lights were bright, showing every flaw as my assistant took my robes, and three makeup artists rushed in with powder brushes fluffing powders on my skin, poking the string more up my butt, and brushing my hair as if I was not naked. “Let’s go people” was yelled and I handed my script to my assistant, closed my eyes for one moment, and let out the last breath of self-doubt. I went and got into the bed, looked him in the eye, and said “Did you see the spread in craft services, no licorice this time” and then we both just sat silently as crew scattered around doing individual jobs, as if we were invisible. It truly is a very strange thing. Then everything was silent, so quiet that I hoped our kissing sounds wouldn’t sound funny. “Action!” We kissed each other like two people in love.

We didn’t give as much tongue as one might in a real bedroom, while mouths were open I was holding some tongue back, then finally I was putting it forward for camera to see that this kiss was “real.” It does not feel as sexy as it sounds. I was aware of what angle the camera was, and I performed for that. I visualized from the point of view of the audience, and often that puts actors in strained positions. Just like ballet, what looks fluid and natural is actually not. An arch of the back, the pointed toes, the long fluttering own brand lashes 3d mink eyelashes , it’s all part of the performance. And there is nothing sexual about it in real life. Nothing, nothing at all.

We do this same kiss about three times, from about six different angles. Then we sit and do the B-roll type footage of “running hand down leg” or “scratching passionately on back” or “pull hair” etc. Then there were the angle shots. While we are doing the kissing, the director often will pitch in a word or two for direction. This is sometimes a “Lift your head up more” or, “Stop stealing her light” or “Again, but this time try it backwards and be more animalistic after three point beats.”

The camera men still held cameras, the lighting guys still stood by their lights, the makeup crew stood by ready to puff powder on our bare butts, or add erotic sweat (which is a sticky jelly type substance) and more lipstick. The room is full of gawkers, but no one was gawking, except maybe the intern at the back of the set. Everyone wants the shot to go right, so they can move on to the next set. It’s like being in the middle of an orgy at a party without the real sex, or real ambiance, or real anything, including real partner.

own brand lashes 3d mink eyelashes
own brand lashes 3d mink eyelashes

And that was it. That was the scene. There was no fear during the scene, no feeling, no excitement. “Can you do me a favor and pull in more left when we orgasm together” I would say, and he would answer with “sure, but not too much because I don’t want to get aroused” and so on. Yes, even him getting aroused would have been detached. It’s just a body function during an actor’s scene. We control our functions to the best of ability, that is our craft. There is no intimacy in love scenes. Our characters are experiencing intimacy together, the actors may bond over it, but are not having a true intimate moment together like what you see on film after own brand lashes 3d mink eyelashes .

It is professional and takes integrity even on professional sets. It takes respect, and dignity to do a scene like this. It takes true commitment to your role. Doing a love-scene is something to be proud of once competed, and today I am proud of every one I have own brand lashes 3d mink eyelashes . Even with Mister yucky. I do admit, he looked great on film, and even his pecks looked sexy. After editing this scene was one of the most erotic I have ever done. On the screen it lasted about thirty seconds, and to make it, we spent about two hours changing positions. It’s all smoke and mirrors. It’s a technique, this “love-making” business of show business, and we do it all for you, to tell the story, to entertain, to give respect to the characters we are playing.

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